Portrait of Joseph Roulin
1889
Vincent van Gogh
Medium
Oil on canvas
Original Title
Portrait de Joseph Roulin
Provenance
Gift of Mr. and
Mrs. William A. M. Burden, Mr. and Mrs. Paul Rosenberg, Nelson A.
Rockefeller, Mr. and Mrs. Armand P. Bartos, The Sidney and Harriet Janis
Collection, Mr. and Mrs. Werner E. Josten, and Loula D. Lasker Bequest
(all by exchange)
Style
Post-Impressionism
Viewing Notes
This portrait
of Joseph Roulin is one of six that van Gogh painted of his close
friend, a postal employee in the southern French town of Arles. In 1888,
van Gogh moved to Arles, a fifteen-hour train ride from Paris, in the
hopes of creating an artist cooperative. The plan never came to
fruition, and the artist found himself lonely and isolated—a situation
exacerbated by his inability to speak the challenging local Provençal
dialect. Van Gogh found comfort and companionship with the Roulin
family, and they became the subjects of many of his most important
paintings.
Van Gogh was drawn to Roulin's distinctive facial features, his devotion to his wife and children, and to the exceptional kindness he demonstrated toward the artist (when van Gogh was hospitalized in 1888, Roulin looked after his studio and checked in on him repeatedly). In this portrait, believed to be painted from memory, Roulin is depicted in the postal uniform he always wore proudly, set against an imaginative backdrop of swirling flowers. In one of the many letters van Gogh sent to his brother Theo, he wrote that of all subjects, "the modern portrait" excited him the most. As he elaborated, "I want to paint men and women with that something of the eternal which the halo used to symbolize, and which we try to convey by the actual radiance and vibration of our coloring."
Van Gogh was drawn to Roulin's distinctive facial features, his devotion to his wife and children, and to the exceptional kindness he demonstrated toward the artist (when van Gogh was hospitalized in 1888, Roulin looked after his studio and checked in on him repeatedly). In this portrait, believed to be painted from memory, Roulin is depicted in the postal uniform he always wore proudly, set against an imaginative backdrop of swirling flowers. In one of the many letters van Gogh sent to his brother Theo, he wrote that of all subjects, "the modern portrait" excited him the most. As he elaborated, "I want to paint men and women with that something of the eternal which the halo used to symbolize, and which we try to convey by the actual radiance and vibration of our coloring."
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